DES NOTES DéTAILLéES SUR FILMS

Is it sacrilege to declare that the best-looking cinématographe dessus in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French capital – as well as the neoclassical edifices of Mussolini’s Rome – in relax blues and shards of allégé as sharp as the knives wielded against the lef